Clients often tell me they talk too fast. They either notice this themselves, or a supervisor gives them that feedback, or they observe people often ask them to repeat themselves. When we get into the details, though, their rate is often not the problem.
continue readingAlways clearing your throat? Here’s help.
Chronic throat clearing can cause throat irritation and hoarseness. There are several possible reasons you might be clearing your throat a lot. Typically it is due either excess mucus or irritation of your vocal cords. Those can come from a variety of sources. Let’s break them down.
continue readingThree ways to make your dialect work more convincing
We’ve all seen it. Accents that make you want to cringe (apologies to poor Dick Van Dyke in Mary Poppins for using him as an example here). But how amazing it is when we are completely fooled! How glorious to be engaged with a character and story that uses a dialect to enhance the experience. How do the Meryl Streeps of the world do it?
continue readingReading a speech? Here’s one vital tip
While there are many elements to giving a good speech, and several other posts on this site about those elements, today we focus on just one.
How do you write out (and visually format) a speech to make it effortless to read and sound natural?
continue readingDo you have a weak vocal cord?
Vocal fold weakness (technically called paresis) is a surprisingly common problem, and it can go untreated because it can be difficult to diagnose.
continue readingExamining habits
“We are what we repeatedly do. Excellence, then, is not an act, but a habit.” (Aristotle)
The way we speak is habitual. The concept of habit runs deeply through the work of voice and speech training. This is especially true in theatre, where the idea moves beyond speech into other elements affecting actors’ performance.
In this post, we are simply dipping a toe into the basics of habits: what they are, why we need them, and how to change them if we wish.
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