While I am not a singing teacher per se, I do help singers rehab vocal injuries and address technical issues. We often work on the speaking voice (as opposed to singing) most or all of the time. Here’s why.
continue readingA dialect coach prepares
I’m starting the research for my role as dialect coach in a large, new musical. I’m not allowed to post about the details yet, so will speak in general terms about my process as I get ready to meet with the cast.
continue readingReal notes to an actor who lost their voice
A peek behind the scenes! An actor in a play I am vocal coaching got very sick and therefore hoarse. They asked for suggestions, and I wanted to share them with you.
continue reading5 everyday words that make a foreign accent more (or less!) pronounced
One of the keys to sounding natural in any language is rhythm. Emphasis and stress are often at least as important as getting the correct speech sounds. The five common words below have special pronunciation rules that affect the whole rhythm of a sentence, and make a huge different in the way a speaker’s accent/speech is perceived. The words are:
continue readingBusting a myth about vocal injuries
When a pro athlete has a knee injury, fans don’t jump to the conclusion that they must have poor running technique. Yet when a professional singer gets a vocal cord injury, it’s a different matter. Let’s shed a little light about what a vocal injury does and doesn’t mean.
contine readingYep, you have an accent. Embrace it.
Everyone has an accent. Or more specifically, everyone has a dialect. In teaching accents to actors for several decades, I often hear people say they “don’t have an accent”. I think this means they believe they don’t have a dialect that makes them readily identifiable as being from a particular geographic region. But there’s more to a dialect than just geography.
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