I’m starting the research for my role as dialect coach in a large, new musical. I’m not allowed to post about the details yet, so will speak in general terms about my process as I get ready to meet with the cast.
continue readingWhat does a Vocal Coach do if there are no accents in a play?
I was surprised by how many people asked this question when I told them about an upcoming vocal coaching gig. So let’s break these concepts down!
continue readingThe 100 most common words in English
Many of my clients work to sound natural when speaking English. This list of the 100 most common words of English (according to the Concise Oxford English Dictionary, 11th edition) makes great practice material.
continue readingYep, you have an accent. Embrace it.
Everyone has an accent. Or more specifically, everyone has a dialect. In teaching accents to actors for several decades, I often hear people say they “don’t have an accent”. I think this means they believe they don’t have a dialect that makes them readily identifiable as being from a particular geographic region. But there’s more to a dialect than just geography.
continue readingThe practice of practice: 3 tips to make the most of your time
We all know the old joke: How do you get to Carnegie Hall? Practice!
Whether you are learning voice and speech skills, a new sport, how to play an instrument, meditation, cooking, knitting or anything else physical, the practice of practice is the key to your success.
The way we practice is even more important than how much time we spend. Research about the brain, cognitive science and motor learning in particular, have taught us a few key concepts:
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Don’t let mouth noises ruin your recording
Whether they are clicky, sticky or slurpy, mouth noises are a time-consuming pain for VO actors and anyone creating audio recordings. Depending on the nature of the recording, you either need to re-do it, edit out all those little sounds without affecting the speech, or foist the sounds on your listener.
Best just to avoid them in the first place.
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